“You have black portraits by black artists, which broadens the range of artistic styles and strategies.” ![]() “It’s more empowered because we now have a presence, artists of color,” she said. The more recent artworks in the exhibit, made over the past 50 years, are different from those, say, 100 years ago. “All aspects of life, high and low, are captured in his paintings.” “He shows African Americans as the urban middle class,” said Murrell. Alston is widely recognized for his bust of Martin Luther King Jr, which today sits in the White House. ![]() There are also works by Charles Alston, who was known locally for painting murals in Harlem hospitals, but was also recognized as a painter for his portraits of musicians, groups of cotton workers and family portraits. The other Harlem Renaissance painters in the exhibit include William H Johnson, who captured the everyday lives of African Americans, whether it was groups of friends in urban settings to rural families, all of which tell “the critical story of modern portrayals of black figures”, said Murrell. “African American slavery or enslaved individuals were stereotyped and caricatured, and one thing Harlem Renaissance artists wanted to do was give dignity to black female figures, or to black figures, period.” “It shows the historical weight and significance of what Harlem artists were doing at the time,” said Murrell. Laura Wheeler Waring, one member of the group, was a painter who made portraits of African American civil rights figures, like author WEB Du Bois and soul singer Marian Anderson. The painting was made after the artist’s visit to Harlem in the 1930s, where he met local artists as part of the Harlem Renaissance, a black arts movement which celebrated African American culture. Photograph: Courtesy of Des Moines Art CenterĪmong the artists in the exhibit, there are works by Henri Matisse, including Dame à la robe blanche (Woman in white), from 1946, showing a black model in a white dress. ![]() Henri Matisse, Dame à la robe blanche (Woman in white),1946.
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